1960s Clothing
1960s Fashion

By the mid 1960s the international fashionable pace was being set not by Paris couturiers but by a talented group of fashion designers in London. The clothing garment that symbolizes the fashion in 1960s is the thigh high mini skirt, with skinny rib sweaters. But the very short mini dress or mini short dresses did not in fact start to take hold until 1965, and to the early 1960s
mainstream fashion trends 1960s was still dominated by the elegant man and woman apparel and conventional looks of mature men and women. Paris couture remained at the hub of 1960s fashion, and established Paris fashion houses continued to provide affluent clients with superbly made clothes which maintained the high standards of the grands couturier. Gradually, however, the business of haute couture went into decline and haute couture houses started to expand their

ready to wear operations. Designer Balenciaga continued to make ultra refined clothes and, for show stopping evening wear, geometric shapes executed in the stiff silk, gazar. In 1964 he astounded the fashion world with a modern fashion collection shown in a tiny, all white showroom to the insistent beat of drums. Central to his output were, flared shift short mini dresses and skirts worn with cropped jackets. He created numerous variations on the triangular shift shape, introducing curved inlays or breaking stark lines with pocket flaps and belts. Also many trouser suits making an appearance on the haute couture Paris runways at this time. Depending on precision cutting and construction, they had cigarette slim trousers which were slit over the insteps and reached almost to floor level the effect was to make the leg look very long. Seductive hipsters were teamed with svelte tunics or double breasted jackets and were available in wool for day wear and in sequinned or embroidered silk for evening. Inspired by sports wear, a passion for white and silver, sugar almond pastels and few strong colours, especially flame orange, were also typically used in fashion 1960s trends. Also for all seasons plain fabrics, sometimes relieved by stripes, checks and piping, and for summer daisy strewn fabrics embroidered were one of 1960s fashion trends. Their designs at this period are similar, particularly those for precision made mini short dresses with simple, collarless necklines, yoked bodices, half belts and chunky, self coloured buttons, but Ungaro differed from Courreges for dresses short mini fashion in his use of organic pattern and loud colour combinations. In fashion in the 1960s he collaborated with the textile designer Sonia Knapp, who provided a succession of powerful prints which almost overwhelmed the line of the clothes. More in 1960s fashion trends was the Fashion designer Cardin Pierre clothing, hailed as the bright young star of Paris couture.


Pierre Cardin clothing signature features included asymmetrical necklines, scalloped and rolled edges and enormous, face framing collars, all of which were revamped to suit the mood of each season. Pierre Cardin Clothing logo also investigated spherical shapes in 1958 clothing Pierre Cardin made a balloon coat dress whose shape was achieved by the use of a drawstring threaded through the hem. In 1960 he created tight sheath sexy mini dresses with puffball panniers which sat over the hips. More about clothing Pierre Cardin is that in the same year Cardin showed undecorated. Trapezium shaped coats topped by towering sugarloaf hats which extended the line almost eighteen inches above the head. The space race pervaded 1960s culture, and fashion was not immune. in Fashion of the 1960s this practical, unisex range consisted of a tunic or pinafore over a body fitting ribbed sweater, and tights or trousers. Whereas the work of Cardin Pierre clothing, Courreges and Ungaro is part of the tailoring tradition, Paco Rabanne sparkling paillettes and metal discs were joined by split metal rings for evening wear, while day mini sexy dresses were composed of leather segments secured at the corners with brass rivets. Quant tool ideas from unusual sources and reworked them into a series of fast moving looks. She enjoyed materials that were new to fashion, making brightly coloured macs in PVC, and mini skirted gytnslips which promoted the man made fibre Tricel. She even explored the potential of Crimplene, and the humble knitting pattern was given a boost when she created a series of dresses short mini for Courtelle's new 4 ply yarn. Quant made fun, easy to wear, classless clothes, rejecting all that was starchy, hidebound and unnecessarily formal characteristics she associated with the staid British establishment. Simonetta used sumptuous and eye catching fabrics to create unusual evening gowns incorporating bubble and cocoon shapes.

For town wear she devised chic tailored suits and coats each design had a distinctive feature. such as an extra large collar or fly away back panel which made it stand out in the crowd. Emilio Pucci, whose vibrantly coloured, swirling, printed silks gained new validity in the psychedelic 1960s, also opened a Paris outlet. Pucci's comfortable, light leisure wear was popular with Americans, including the film stars Marilyn Monroe. Elizabeth Taylor and Lauren Bacall, who relished its chic appeal and instantly recognizable designer signature. Pucci blouses, scarves and body skimming little tight short mini dresses mini were constants to which the designer returned with new ideas each season. In 1960 he launched capsulas skintight, stretch nylon and silk one piece bodysuits. Pucci's pliant, printed silk jersey fabric perfectly suited the long, flowing capes and harem styles of his late 1960s collections. An astute businessman, Stephen recognized the fact that traditional tailors and multiple stores were not catering for teenagers. Specifically for this market he introduced adventurous, body conscious, boldly coloured clothing 1960s made from tactile fabrics such as velvet, suede, leather, satin, corduroy and mohair. The popularity of Stephen's clothes was such that by the early 1960s he owned one third of Carnaby Street's premises. A menswear outlet, Lord.Iohn. was paired with a womenswear boutique, Lady.Tane, which opened in 1966 with a live window display consisting of two young women dressing and undressing in the shop's stock.

Reference: “20th century Fashion”, written by Valerie Mendes and Amy De La Haye; 1999 Thames & Hudson Ltd, London.

1960s in fashion Fashion in the 1960s - Introduction Clothing styles have always mirrored the prevailing attitudes of the times and this is certainly true of fashion in the 1960s. The decade was marked by sweeping social change and the domination of youth culture - baby boomers were growing up and demanded their own fashion style. Designers responded with a much more liberal, daring approach to fashion, boasting colourful fabrics and bold designs. The 1960s saw fashion reject the conventions and niceties of previous eras. Clothing broke with social traditions that dictated what could be worn when and by whom. In the past, attire had been divided in to 'formal' and 'casual' wear, and distinct separations were made between the styles of clothing worn by men and women. The 1960s, however, saw the emergence of unisex clothing such as denim jeans, which could be worn by both sexes. 1960s Mod fashion Mod, short for 'modern', refers to a youth lifestyle that emerged from London during the 1960s, and quickly spread to America, Europe and Australia. Centred around London's thriving pop music, art and fashion scene, the mod lifestyle focused on innovation and the 'new'. Mod fashion was slim fitting and featured bold geometric shapes. Colour was also a key concern - the conservative greys, browns and pastels of the 1950s were replaced by bright, wild hues. In contrast to fashion trends of the past, these garments were mass-produced and affordable. Rising hemlines and the mini-skirt The 1960s saw the appearance of the mini-skirt. Up until that time, skirts and dresses in Australia finished sensibly at the knee. New soaring hemlines created huge controversy when they first appeared, exposing centimetres of thigh never before seen in public. At the Melbourne Cup in 1965, English model Jean Shrimpton created controversy by wearing a synthetic white shift dress with a hem high above her knees. She did not wear stockings, gloves or a hat. Shrimpton's outfit was considered scandalous, and made headlines around the world. By the end of the decade, however, shift dresses and mini-skirts had become widely accepted. Mini-skirts represent more than just a fashion landmark of the decade - they have become an icon of the general culture of rebellion that characterised the 1960s. Young people were rejecting the social standards of the past and so too was their fashion. Many devotees of the feminist movement of the 1960s also saw the mini-skirt as a claim to the right of women to proudly display their bodies as they wished. 1960s Fashion icons Throughout the 1960s, a number of famous people sported distinct fashion styles that were copied all over the world. British teenage supermodel Leslie Hornby, also known as Twiggy due to her stick-thin figure, was a fashion idol to young girls everywhere. Her short, boyish haircut and leggy, waif-like frame graced the covers of every major fashion magazine. While 1960s fashion was largely youth-driven, fashion icons also dictated the style of older women. Throughout her career, movie star Audrey Hepburn wore simple, flat shoes, threequarter length pants, and plain black shift dresses. Her clothing style and her beehive hairdo, would be copied by millions of women worldwide. Jacqueline Kennedy, wife of US President John F. Kennedy, became widely known for her beauty, grace and elegant style of dress. Her many public appearances popularised pearl necklaces, the pillbox hat (a small hat with a flat top and straight sides) and simple, bigbuttoned suits. 1960s 'Hippie' fashion Towards the end of the 1960s, the hippie movement had arrived in Australia. Many young people had become dissatisfied with the prevailing mainstream social values, considering them to be shallow and materialistic. Others strongly opposed Australian involvement in the Vietnam War. Whatever their motivation, many young people began embracing the values of peace, love and freedom and sought an alternative way of life. Many people embraced communal living and a nomadic lifestyle, explored Eastern religions, experimented with drugs and adopted a rebellious style of dress. Clothing styles and fabrics were inspired by non-Western cultures, such as Indian and African. Natural fabrics and tie-dyed and paisley prints were also popular. Many people handcrafted their own clothes and accessories and personal items were often decorated with beads and fringes. Bare feet or leather sandals were typical hippie fashion and flowers and peace signs became symbols of the movement. Both men and women let their hair grow long and men commonly grew facial hair. The hippie movement also influenced other clothing styles. Denim jeans, which had remained a staple wardrobe item for many young people throughout the decade, were inspired by hippie fashion. New styles of denim jeans emerged, such as the bell-bottomed, tie-dyed, marbled and painted jeans. Clothing fabrics in the 1960s 1960s fashion was influenced by the excitement surrounding space exploration and the first moon landing. Innovative synthetic materials like polyester, plastic, PVC and vinyl enjoyed huge popularity throughout the decade. New blended fabrics were also developed, mixing man-made fibres with natural materials like cotton and wool. Prompted by the animal rights movement, new fabric technology also produced the first artificial fur and leather fabrics. Improved fabrics and mass production techniques meant that clothes could be produced much faster and more cheaply than ever before. This, coupled with quickly changing teen fashion fads, meant that clothes were also discarded more quickly than before.

 
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Sat Feb 4 18:49:44 2012